Caitlin Berrigan, Cultural Mobility / Spectrum of Inevitable Violence, 2010, archival pigment photograph, 20 x 13-1/2 inches, Edition of 5, Courtesy of the artist

deCordova Biennial 2012 in partnership with the Boston Center for the Arts 

Wednesday, February 15, 6 pm, free admission
Cyclorama at the BCA | 539 Tremont Street

THIS PROGRAM IS AT CAPACITY, please attend the panel discussion on Thursday, February 16 or visit the BCA, February 13-19 during open hours to view the installation.

The unresolved, elusive, but timely forces of cultural and spatial politics are at the heart of Caitlin Berrigan’s Spectrum of Inevitable Violence, which will transform the Cyclorama into a massive arena to explode ideas about social class. Berrigan, who often integrates performance with edible art, asks participants to analyze their class background and map it out as a territory to defend in a dynamic confrontation—with food as ammunition. This battle provides an outlet for all the tensions that lie below the surface of language, and for the inadequacy of survey and analysis to fully represent interpersonal coercions of class and social mobility.

Click here for information about parking and directions to the Cyclorama

 


Artist Discussion: Ambiguous Affiliations

Thursday, February 16, 6:30 pm, free admission
Cyclorama at the BCA | 539 Tremont Street

Caitlin Berrigan will be joined by Anabel Vázquez Rodríguez, curator LA GALERÍA, Villa Victoria Center for the Arts, and James G. Ennis, Associate Professor of Sociology at Tufts University with an expertise in social movements in a discussion moderated by WBUR’s Monica Brady-Myerov. The panelists will discuss subjects surrounding Spectrum of Inevitable Violence, such as the slippery affiliations of social class, the role culture plays in their dynamics, and how personal interrelations of class enter into larger political domains. Join us for a light reception at the Beehive immediately following the discussion.

RSVPs required, please email programs@decordova.org


Press

“Some artists, like Caitlin Berrigan, are showing work so wildly original it defies conventional description.”
- Chris West, MetroWest Daily News

“Thrillingly bizarre.”
Miles Howard, Stuff Magazine

Caitlin Berrigan & Anya Liftig often use food in their work as a driving force of desire and social allegory. In this collaborative intervention, they will explore the obsessions, myths and terrors of motherhood through an act of  cannibalism. Amidst unsuspecting midday lunchers and farmers market shoppers, the two young & upright mommies will coddle, pet, kiss, lick and ultimately devour life-sized babies cast in fudge and cream.

Image photographer: Bami Adedoyin

 

*Three weekend interventions in New York City*

SkowheganPERFORMS | Socrates Sculpture Park
Sunday 25 September | 12 -3pm

http://www.socratessculpturepark.org/visit

 

Art in Odd Places Festival | 14th Street
Saturday 1 October | 11:30am – 2pm
Saturday 8 October | 11:30am – 2pm

http://www.artinoddplaces.org/artist.php?subj=60

Intervention begins on the Highline and continues along 14th Street into Union Square

10 – 12 June 2011 | 10am – 6pm | Governors Island NYC | Figment Festival

Caitlin Berrigan will present a new work for Governors Island. For the duration of the Figment Festival, she will enact a pathetic political gesture—circling around the perimeter of the island, endlessly declaring ‘Victory’ in an evaporating medium.

Victory Gardening was commissioned by Kleio Projects for The Purposeful Garden including work by artists Fabian Grateroles, Anne Percoco, Junko Sugimoto, and Mosstika.

For details on the festival and how to get to the island, please visit http://newyork.figmentproject.org. *Weather permitting*

Victory Gardening was produced during an invitational residency at The Wassaic Project, and made possible with the gracious assistance of Francis Rabkin, Janine Iversen, Storm Garner, Gina Siepel and Meredith Jenks.

I will be giving a presentation at the Boston Upgrade! Please come see me blabber about recent projects.

http://turbulence.org/upgrade_boston/2010/11/caitlin-berrigan

MIT Media Lab (E14), 6th Floor, Room 633
75 Amherst Street
Cambridge, MA

Spectrum of Inevitable Violence


Experience Economies 2: Class Warfare
featuring Caitlin Berrigan‘s work-in-progress Spectrum of Inevitable Violence
8pm  •  Thursday, December 9
MEME Gallery •  55 Norfolk St., Cambridge
Pot-luck desserts and drinks gratefully accepted!
*Dress appropriately (see below)

Hegemonies of the new elite, Bobos, creative class, bourgeois, working class, middle class—all these terms fly in America with the velocity of rotten tomatoes. At the Experience Economies event, the social currency, creative capital, economic status, upward mobility and toxic assets of participants will be analyzed and instigate a class confrontation. Food will be the ammunition of this class war—dress appropriately, or do your best to dodge the rage!

8pm Recruitment
9pm Battle
9:30pm Spoils/Booty

About Experience Economies:
Experience Economies is a nomadic social event series where cultural producers are audiences to each other’s spectacles. Not a lecture and not a party, the events incorporate performance, presentation, discussion, scheming, drinks and food. Experience Economies welcomes experimentation, works-in-progress, audiences that want their spectacles to mess with them and presenters who need a space to make that mess. Experience Economies is produced by Gavin Kroeber and Rebecca Uchill, with rotating guest presenters.

L.A. Freewaves :: Video on the Loose
New DVD & Catalog Celebrating 20 Years of Media Arts

After a celebratory video installation in June at LACMA, L.A. Freewaves has released a catalog with essays and interviews on the Freewaves experimental media experience, and a DVD with with an awesome selection of 23 films culled from 20 years of L.A. Freewaves programming.

I am very excited that my video Teeth in the Wrong Places is included on the DVD. Check it out: $20 for the DVD, or $40 for the catalog + DVD. http://freewaves.org/bookdvd Such a steal!

Featured artists
Brooke Alfaro; Barbie Liberation Organization; Caitlin Berrigan; Jaco Bouwer; Portia Cobb; Tony Cokes; John Davis; Stephane Degoutin, Marika Dermineur & Gwenola Wagon; Matt Dibble & David Chung; James Duesing; Daniel Mason; Matthew McDaniel; Meena Nanji; Michael O’Reilly; Johanna Priestley & Joan Gratz; John Richey; Marlon Riggs; Janice Tanaka; Aaron Valdez; and Zhou Xiaohu.

Extra special thanks to the awe-inspiring Anne Bray!

Location One Gallery
Greene St. between Canal & Grand, NYC

Wednesday 6 October 2010

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7 – 9pm (Free)

I will be presenting on the medical, material and software meanderings in the making of Traces, a renewable sculpture of my disembodied kidney, cast in frozen spit. Every two hours a new frozen organ is refreshed, cupped in my hands cast in aluminum, only to melt and drip away. The last ends of the kidney slip onto the floor, and a wet mess remains. I materialized the kidney by laboriously tracing the topography of my internal organ from a 3D MRI, consisting of hundreds of sequential medical images. I conceived of Traces as a poetic deterritorialization of medical biotechnologies, organs without bodies and fleshy displacements. It calls attention to the alienability of body parts and the vast global industry that sustains the promise of an infinitely repairable body.

Also presenting, artists Jack Toolin and Melanie Crean. And thanks to the indefatigable Douglas Repetto!

http://dorkbot.org/dorkbotnyc/06.oct.2010

Portland Phoenix: Annie Larmon, “Interplay: the ICA’s concept-driven show,” February 17, 2010

“Caitlin Berrigan’s 2009 video Transfers is simple and elemental. It is the quietest and least-involved piece in “Exchange,” a group show at the Institute of Contemporary Art at Maine College of Art, but it is also the most striking.”

Float: Buoyant Things, a Sinking Feeling
@ PROGRAM, Berlin
Invalidenstraße 115

this Thursday, January 28, 19:00

Float: Buoyant Things, a Sinking Feeling is an evening of short films by contemporary visual artists, featuring poetic gestures that are partial, incomplete or unresolved. The protagonists of the films oscillate amidst dilemmas of gravity, forces of nature, undelivered promises and artificial histories. Unlike failure, these acts of anti-heroism and noncatharsis displace the significance of outcomes and instead emphasize desire itself—the will that initiates action. Understated humor and cinematic images of natural splendor form the backdrop for these metaphors of intellectual inquiry, placing viewers in a state of suspension.

Float is organized by Caitlin Berrigan, based on concepts she began exploring at PROGRAM during her residency in Fall 2009. The screening will last approximately 1 hour with no intermission.

Peter Land, "The Lake," 2000
Simon Faithfull, "Escape Vehicle No. 6," 2004
Gina Siepel, "Kennebec Excursions," 2009
Caitlin Berrigan, "The Marshmallow Suicide," 2008
Christian Niccoli, "Splash," 2008
Guido van der Werve, "Nummer Vier," 2005 (courtesy of Juliette Jongma Gallery)

programonline.de

 


 

Avalanche
29 January — 13 March 2010

Opening Friday 29 January, 19:00

Group exhibition at
Maribel López Gallery

Kurfürstenstrasse 13
10785 Berlin

www.maribellopezgallery.com

 

 

 

 

 

 

 

 

 


Already opened:

EXCHANGE, Curated by Lauren Fensterstock

20 January — 11 April 2010

Institute of Contemporary Art at Maine College of Art
Portland, Maine
www.meca.edu

Artists: Caitlin Berrigan, Lewis Hyde and Max Gimblett, David K. Ross, Deb Todd Wheeler

 

Culture Shock: Video Interventions at the Queen Elizabeth Theatre
Curated by Stephanie Rebick, Vancouver Art Gallery

22 January — 21 March 2010
Queen Elizabeth Theatre, Vancouver, BC

Artists: Jacqueline Bates, Hilla Ben Ari, Caitlin Berrigan, Manon De Pauw, Jen DeNike, Harry Dodge and Stanya Kahn, Aleksandra Domanovic, Dennis Feser, Kate Gilmore, Simon Gush, Barbara Hlall, Alex Hubbard, Kimsooja, Frédéric Lavole, Kakyoung Lee, Deirdre Logue, Mads Lynnerup, Kelly Mark, Lynne Marsh, Benny Nemerofsky Ramsay, Julie Orser, Julia Oschatz, Rebecca Parker, Judy Radul, Johanna Reich, Catherine Ross, Claire Savole, Carol Sawyer, Kelly Sears, Kiki Seror and Jin-me Yoon

Presented as part of the Cultural Olympiad, a series of multidisciplinary festivals and digital programs showcasing the best in Canadian and international arts and popular culture. Launched in 2008, the program culminates in the 60-day Cultural Olympiad 2010 (January 22 to March 21, 2010), which begins before and continues throughout the Vancouver 2010 Olympic and Paralympic Winter Games.

Dear friends & colleagues,

After two years at MIT, I will be getting my SMVisS (pronounced “smiz-viz”). That is a Master of Science in Visual Studies. Whatever that means, you are warmly invited to the opening of our exhibition “And Things of That Nature” this Friday, May 15 from 6-8pm (details below). I will also be doing a participatory performance on Friday, June 5th from 6-8pm. I hope you can join me if you’re in Boston!

Also check out the big fat Younger Than Jesus Directory from the New Museum, in which you will find yours truly amidst literally hundreds of awesome young artists.

very best,

Caitlin

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And Things of That Nature

An exhibition of new projects by masters degree candidates at the MIT Visual Arts Program.

Haseeb Waqar Ahmed, Gina Badger, Caitlin Berrigan, Jaekyung Jung, Jin Jung, Matthew Mazzotta, Alexander Rosenberg, Jegan Vincent de Paul, Jess Wheelock

Opening Reception Friday May 15, 6pm – 8pm
Mills Gallery, 539 Tremont St., Boston

Gallery Hours
W 12-5pm | Th, F, Sat 12-9pm | Sun 12-5pm
Family Day May 23, 12:30 – 1:45pm
Artist Talk May 27, 6:30pm
First Friday June 5, 6 – 8pm Public Performance

All programs free and open to the public.

Under the aegis of the School of Architecture and Planning at the Massachusetts Institute of Technology, the MIT Visual Arts Program operates as a critical production- and education-based laboratory within the context of an advanced technological community. The graduate program explores the role of art in society and considers artistic practice as knowledge production and offers a Masters of Science in Visual Studies. 617.253.5229 | vap@mit.edu | visualarts.mit.edu

The Boston Center for the Arts Mills Gallery is dedicated to presenting exciting contemporary works by local, regional, national, and international visual artists and curators. During each exhibition, the BCA provides multiple opportunities to engage with the artwork and artists through its Artist Talk series and other related events. The Mills Gallery is the BCA’s non-profit gallery. Exhibitions and public programs are free and open to the public. $5 donations are suggested. 617.426.5000 | info@bcaonline.org | www.bcaonline.org

Thanks to José Luis Blondet, Curator, Visual Arts, Boston Center for the Arts, and Antoni Muntadas, independent studio professor. Funded in part by the Council for the Arts at M.I.T.

Transfers, 2009

Transfers, 2009
(30 minute silent video performance, looping)

http://membrana.us/transfers.html

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Younger Than Jesus DirectoryYounger Than Jesus Directory

http://tinyurl.com/ytjdirectory

“Younger than Jesus: The Artists Directory” is the product of some of the most wide-ranging research in the field of contemporary art in years: the first ‘Younger than Jesus’ triennial at the New Museum. Working with a team of 200 ‘insiders’ (curators, writers, teachers, critics, bloggers and artists) scattered across the globe, curators Massimiliano Gioni, Lauren Cornell and Laura Hoptman have selected the 500 best international artists under the age of 33, from which they will curate the exhibition component of the triennial in spring 2009. While most generational exhibitions are retrospective, this one will be predictive, anticipating the future and revealing upcoming trends. “Younger than Jesus: The Artists Directory” will therefore be an unparalleled resource for curators, collectors, dealers and critics. By serving as a handbook to currrent artistic innovation, it will also appeal to artists, designers and anyone curious about the latest developments in visual culture.